The room-shaping document
Every completed brief carries a presentation. It is not something you build afterwards; the Present link sits in the project header from the start, and behind it the campaign renders as a full-screen, vertical-scroll screening — no navigation, no interface, just the work. It is the thing a creative director walks into a client meeting with.
The sequence is cinematic by design. A full-bleed hero opens on the first previz frame with the campaign title set over it. The concept follows as a single line. Each frame then plays as its own scene with a caption, before the palette arrives as a full-width band of colour.
The proof and the plan appear near the end, deliberately, as quiet prose. Feasibility and production are reassurance, not argument — they confirm the vision is shootable after the vision has already done its work on the room.
A live link, not an attachment
The Share button copies the presentation link; it opens anywhere, on anything, without an account. This matters more than it sounds. A live link means the client sees the campaign as it stands today — regenerate a frame, refine the palette, and the presentation they open tomorrow is already current. No version-four-final-FINAL, ever.
Send the link instead of a file whenever you can. A document gets forwarded and flattened; a screening gets watched.
The lock and the clock
In the colophon, the Client Presentation panel gives the link two controls. An optional access code turns the presentation into a protected room — the viewer is asked for the code before anything renders. An optional expiry date gives the link a lifespan; after it passes, the presentation answers with a quiet expired notice and shows nothing.
Use both when the work is sensitive. A locked, expiring link lets you show unreleased campaign work to a client with the same discretion a house would apply to a physical portfolio: seen by the people it was sent to, for as long as you intended, and not a day longer.
The document that leaves
When a meeting demands paper, the brief exports as a PDF — the campaign document, named for the brand and campaign, ready to attach or print. The production package has its own print path from within the Plan, so the producer’s document can leave the building separately from the client-facing screening.
Alongside these, publishing a campaign to your portfolio creates a public page you can share openly — a different instrument for a different audience. The presentation persuades a client; the portfolio announces the work.
Present the direction, not the homework
The presentation deliberately withholds most of what the engine produced. The schema, the prompt packs, the adapter variants, the critique scores — none of it appears. The client sees intent, frames, colour and a calm confirmation that it can be made. That is the whole pitch.
This is the house’s position on presenting: the homework is what makes the direction trustworthy, and the direction is what makes the homework worth doing — but they are never shown in the same room. Bring the Proof if you are asked how; open the screening when you are asked what. The order in which a client encounters those two answers decides which one they remember.